The modern art of glass blowing may use modernized equipment, but the essence of working with glass remains an ancient art. Molding red-hot liquid glass to create a lasting glass artifact is an act that requires a creative mind, dexterous handwork, and stamina, a very physically draining work.
Funeral rites were one of the major types of religious cultic activity among the Phoenicians. It appears that burial of an intact body was the preferred method for dealing with the dead, though some examples of cremation have also been found. The wealthiest Phoenicians and members of royal families received elaborately decorated stone sarcophagi, which were placed in tombs cut directly out of rock. The bodies were typically given objects from their lives to accompany them: coins, food, cosmetics, toiletries, figurines, and so forth. The inclusion of both ritual and practical objects is often cited as evidence of belief in some sort of afterlife, possibly one in which the deceased could make use of these objects. This may be a case where the funeral rites of Egypt influenced the religious beliefs of the Phoenicians as for a long time.
The Phoenicians regularly sailed across and up the Atlantic to harvest tin from Europe at Cornwall but, to the Greeks, Europe was a dark continent (in the same way that 19th and early 20th century CE Europeans would later view Africa).
The Cippi of Melqart are a pair of ornamental pillars with engravings found by the Knights of St. John on the Island of Malta in the village of Marsaxlloc, they are considered to be from the 2nd century BCE. It is in this village that the Phoenicians reputedly landed in the 9th CE BC and set up trading posts. In the temple of Tas-Silg, the Cippi were unearthed, one cippus being gifted to Louis XVI by the grand master of the knights of St. John in 1782. This cippus now sits in the Louvre and the other in the National museum of archaeology in Valetta.