Astute minds have always found ways to each other, and these pairings aren’t always disastrous. In fact, sometimes these partnerships result in even greater productivity. One such couple that has contributed more then any other in human, civil, and women’s right, are Laure and Joseph Moghaizel. They maintained a romantic bond that centered around an intellectual and emotional intimacy unmatched by any of their other liaisons. They met at the age of 17 and were inseparable since.
This is war paint, he puts it on everyday so we can remind ourselves of the atrocities of a distance past. They seam like distant dreams painted to heal open wounds. Although his paintings are just pictures of this collective memory of a bygone war era, yet they are worthy of a thousand words as real as life itself.
Scarred from the relentless passage of time pitted with bombshells and covered with grime forgotten by those who oft pass it by, it rarely is gazed upon by anyone’s eye. Haunted by memories, littered with broken dreams, this old building crumbling down under the weight of its own conscious, stands there as a reminder of dark times passed.
Set in 1975, West Beirut recreates the initial stages of Lebanon’s civil war through the experiences of three teenagers: Muslim friends Tarek and Omar, and the Christian neighbor May, not that religion or politics concern them very much. Tarek is more preoccupied with pop, sex, smoking and his beloved cine camera. Indeed, the division of Beirut into Christian-controlled East and Muslim West is simply an excuse to skip school. The three of them have several adventures in the chaotic streets patrolled by Muslim militias.